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CeCe Peniston – The Dark Side of The Music Industry & Lizzo Lawsuit

At 11, CeCe Peniston said my name is going to be up in lights. She was right. She probably had no idea how globally famous she would one day become. Catch the interview and watch her knock out 7 octaves that made my dog run out of the room. CeCe was discovered at 19, her 1st time in studio, by Manny Lehman from A&R after he heard “Finally” and her signature sound. Fame soon followed.
CeCe was personally requested by President Clinton, and she showed ChanceTV her award for singing National Anthem at his inauguration. She discussed her fear of singing the National Anthem especially before the President. CeCe was the first person to sing after Apartheid ends in Africa. She sang for a private audience with the Pope in Rome. Sang at brand new Woodstock. If something monumental and has to be perfect – call CeCe.

How The Music Industry Robs Musicians

Promoters do not want to pay artists money the same money if they feel the artist is struggling, you have to hide the struggle to get paid correct.
“If an artist does not stay on tour they do not get paid properly unless they are recouped”
Ways the music business screws the artists. Streaming pays nothing. Pharrell made $2,700 on 43,000,00 streams. 10,000,000 downloads used to be $10,000,000 now it’s probably $10,000. Everything is on Apple Music, everything can be downloaded through a subscription service. You don’t get paid or fully paid, if your name is spelled wrong on the service, if the song is spelled wrong, if it is a remix, if is a featuring, if it is a Cece Peniston featuring (so and so, they take an old song and make a new body of work out of it that doesn’t include you , or they add themselves on as a singer and they are the producer, you’re not getting paid. If you listen to Pandora, you get one continuous stream of around 10-15 songs between commercials. That is considered ONE stream. You are on ONE stream with 15 singers.”

https://www.instagram.com/p/CAV90jAhLBi/?utm_source=ig_web_copy_link


How movie studio who made “Priscilla, Queen of the Desert” tried to screw CeCe out of her Royalties. Cece Peniston’s hit song “Finally” played at the beginning of the movie and the end. The studio, called her song “Finally” at the beginning “Overture” and called her song “Finally” at the end “Finale.” Thereby, they now are two legally different bodies of work and now they have different ISRC Code (International Standard Recording Code.) And if someone else signed that ISRC code under their ASCAP, ( The American Society of Composers, Authors, and Publishers) or signed the ISRC code under their BMI (Broadcast Music, Inc. ) license. It makes millions of dollars and artist will not get paid anything.

https://www.instagram.com/tv/B83P240BRlj/?utm_source=ig_web_copy_link


CeCe gave her accountant $80,000 to pay her taxes. He did not pay her taxes, rather he stole over $1 million from her, started 3 businesses, and added himself onto her taxes. So he added taxes to her taxes. Money was never recouped.
Then next lawyer robbed her and stretched her case beyond the Statute of Limitations and at the time she had no money to fight.

https://www.instagram.com/p/B8g-kH7h8LC/?utm_source=ig_web_copy_link

CeCe discussed her lawsuit against Lizzo regarding her 1992 hit “Finally” and Lizzo’s 2019 song “Juice.” On Instagram CeCe posted a side-by-side comparison of her 1992 song “Finally” and Lizzo’s 2019 song “Juice”, comparing the ad-lib “ya-ya-ee, ya-ya-ee” in the chorus. “Normal common place is you can take under 7 seconds in sampling a record. “Peniston explained her side on Instagram Wednesday, noting that “anytime anybody uses a song over 7 seconds that’s using a “portion” of their copyright.” She claims that Lizzo “not only takes over that, she’s used several times adding up to about 40 seconds.” “It’s my lyric it’s written down as well, it’s the signature to the opening in my song #finally and all commercials are using it from the ‘Adlib’ section because they know it’s catchy sooo #notjustanadlib it’s a check!!!!”

https://www.instagram.com/p/B3ulc-xhKyv/?utm_source=ig_web_copy_link

CeCe explains her lawsuit against Lizzo to ChanceTV in these terms: “it is not really if someone samples, it is the licensing that is put in place for the sampling, so its not if someone uses your body of music ….it is what been put in place before-hand or during that makes sure that the artist is properly compensated.”

https://www.instagram.com/p/B32NepLnZ5M/?utm_source=ig_web_copy_link

“It’s a proving ground, the music business is about what you can prove…..is this truly what it is or maybe it was this or maybe it was that, it doesn’t always go by what it looks like, perception is up to the publishing companies and the record companies and the people that all know each.” “It’s up to interpretation. CeCe discusses Lizzo as a person and her music. “I like Lizzo’s music… and I like her interpretations.” DJ Mustard and Travi$ Scott sample CeCe Peniston’s ‘Finally’ on new ‘Whole Lotta Lovin.” She discussed how Joyner Lucas & Chris Brown and just sampled CeCe Penistons‘s “Finally” and called it, “Finally !!!” CeCe, “I like Chris Brown’s music, Travis Scott‘s Music.” “It’s up to interpretation and it’s what happened before hand..I can’t really discuss the ‘before’ that… I’m sure there’s a good ‘before’ I just don’t know all the ‘befores’ that happened.”

CeCe Peniston vs. Lizzo Trial of the Century

CeCe hints that there might not be a CeCe/Lizzo trial. Chance states, ” That’s for the discovery part of the trial.” CeCe replies, “I didn’t say anything about that now, I didn’t say there was going to be one.” “People always assume there is something more going on behind the scenes then there is, maybe there is not?” “Maybe, it was a conversation?”
CeCe then performed her rap from “Finally.” Then rapped LL Cool J‘s, “Around The Way Girl” & then professed her love for LL. “I love you LL .”

Booking Inquiries:
booking@CeCepeniston.com

Artist Information:
management@CeCePeniston.com
info@CeCePeniston.com

PR, Media, and Material Requests:
media@CeCePeniston.com
thomasina@capitolpublicrelations.com